PATRIARCHY AND POWERLESS: THE HIERARCHY IN THE CRYING OF LOT 49
Main Article Content
Abstract
The Crying of Lot 49 is one of Thomas Pynchon’s novel that offers a detailed analysis of power, conspiracy, and hierarchy within contemporary society, investigating how concealed systems influence individual lives. The story follows Oedipa Maas, who uncovers a realm filled with secret symbols and clandestine networks, particularly the Trystero postal system, which challenges established views on societal control. The narrative emphasizes hierarchical themes related to gender, class, and authority, linking them to the societal transformations following World War II and the manipulation of power dynamics. Pynchon critiques conventional gender roles through Oedipa's portrayal as a passive housewife and examines patriarchy in her interactions with male figures of authority. Symbols like the "Tupperware party" illustrate gender disparities, while affluent characters such as Pierce Inverarity critique capitalist hierarchies. The Trystero network embodies resistance from the lower classes, and the novel further explores social stratification and alienation among marginalized communities. Ultimately, This novel presents the world of power, conspiracy, and personal struggles in a non-linear or fragmented and ambiguous world.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
References
Abraham Maslow, (1954). Motivation And Personality. Harper & Row, Publisher. www.holybooks.com . p.369.
Alan Renwick & Ian Swinburn, P (1992). Power And Authority. Hyphen· VaL VII Number 2.
Amy Swindon, (2013). Schizophrenia and the feminine sublime in Thomas Pynchonʼs The Crying of Lot 49. The University of Melbourne. p.1-37.
Dina Al-Khatib & Yousef Awad, (2019). Unfolding The Female Journey in Pynchon’s The Crying of Lot 49 and Alameddine’s An Unnecessary Woman. International Journal of Comparative Literature and Translation Studies.
Caitlin Ryan, (2020). Women, Peace and Security: Women’s Post-War Economic Empowerment. Research Brief. p.3.
Christopher Woodman, (2014). The Cowpattyhammer management apologizes for having closed “Make It New!” so abruptly. Cowpattyahammer.
Karthik Kumar. (2017). Subterfuges of Patriarchy and the Survivals: A Study of Floating Opera and The Crying of Lot of 49. Research Journal of Philosophy & Social Science, pp. 10-15.
Fakih & Mansour, (2000). Membincang Feminisme: Diskursus Gender Perspektif Islam. Surabaya : Risalah Gusti. p.225.
Markus & Kitayama, (2003). Culture, Self, And The Reality of The Social. Psychological Inquiry, 14, p. 277–283.
Mark T. Decker, (2001). A Proliferation of Bad Shit: Informational Entropy, Politics and The Crying of Lot 49. Open Library Humanities, University of Wisconsin-Stout.
Marzuki, (2007). Kajian Awal Tentang Teori-Teori Gender. Civics Journal, p.74.
Teresa Moore, (2004). Exploring the Tapestry: Oedipa’s Embrace of the Journey in The Crying of Lot 49. Otterbein Aegis Spring.
Umar & Nasaruddin, (1999). Argumen Kesetaraan Jender: Perspektif Al-Qur'an. Jakarta: Paramadina. p. 46.
William Gleason, (1993). The Postmodern Labyrinths of Lot 49. Winter, No 2.